The Stalking of Korean Hip Hop Superstar Daniel Lee
The story of a bizarre—and bizarrely effective—smear campaign.
The story of a bizarre—and bizarrely effective—smear campaign.
Joshua Davis Wired Apr 2012 25min Permalink
A childhood spent with the oboe.
Meghan Daum Harper's Mar 2000 20min Permalink
On office chairs.
In the 1950s and '60s, the distinctions between rank found blunt expression in chair design, naming and price point; Knoll, for example, produced "Executive," "Advanced Management," and "Basic Operational" chairs in the late 1970s. Recall the archetypal scenes where the boss, back to the door, protected by an exaggerated, double-spine headrest, slowly swivels around to meet the eyes of his waiting subordinate, impotent in a stationary four-legger.
Hua Hsu Los Angeles Review of Books Apr 2012 Permalink
On the trade school’s business model and its founder, a former movie producer named Jerry Sherlock.
Andrew Rice Capital New York Apr 2012 20min Permalink
An interview with the experimental filmmaker and Hollywood chronicler Kenneth Anger, 85.
Rocco Castoro Vice Apr 2012 25min Permalink
Neal punctuated Jack’s riffing with his “yesses” and “that’s rights,” head bobbing on his neck like a novice prizefighter’s. After four years of New York nihilism and intellection, Neal – wiping Jack’s face with his handkerchief – Neal – who looked so much like Jack himself, an athlete like Jack – celebrated lover of women and sharer of Allen’s passionate dark soul – finally the long-lost brother who said, “Go ahead, everything you do is great” – “a Western kinsmen of the sun” – “a wild yea-saying over-burst of American joy.”
The life and myth of Neal Cassady, Beat companion and muse for Kesey, Wolfe, Kerouac, Ginsberg, The Grateful Dead and more.
Steve Silberman The Golden Road Mar 1989 45min Permalink
An early profile of Lena Dunham.
Rebecca Mead New Yorker Nov 2010 20min Permalink
On fashion, gender, a finding oneself in a pair of drop-crotch pants.
E. Alex Jung The Morning News Apr 2012 25min Permalink
A profile of Robert Caro, who’s been working on a biography on Lyndon Johnson for nearly 40 years.
Chris Jones Esquire Apr 2012 30min Permalink
A profile of Kanye West.
David Samuels The Atlantic Apr 2012 Permalink
A profile from his days living as a mountain monk in Southern California.
The life of an A-list Hollywood stylist.
Molly Young GQ Apr 2012 20min Permalink
BARR: What makes you laugh? BERNHARD: Well, it's really a myriad of things, but usually it's something that's very organic. It's something that happens on the street. BARR: Like fat people falling down? BERNHARD: No, no . . . [laughs] BARR: That really cracks me up. It's terrible.
Roseanne Barr Interview Apr 2012 15min Permalink
On the empire built by “Painter of Light” Thomas Kinkade.
Susan Orlean New Yorker Oct 2001 20min Permalink
How movies, music and literature reproduce the disaster.
Andrew Wilson Smithsonian Mar 2012 4h15min Permalink
He’s their hero, but he’s also their soulmate, the one person in the world who understands them. That’s why Stephen Wesley and the legions of fans like him can’t get enough of the Mountain Goats. And that burden is crushing Darnielle.
On the passionate relationship between fans and John Danielle of the Mountain Goats.
Stephen Rodrick New York Mar 2009 20min Permalink
A literary exploration of Obama’s voice.
Zadie Smith New York Review of Books Feb 2009 Permalink
How reality TV has changed tattooing.
Tattoos and tattoo artists have an undeniable power to attract, repulse, and intimidate. But when confronted with all this life and color, reality TV steamrolls it into the familiar “drama” of preening divas and wounded pride. “Everybody thinks they’re gonna change it,” said Anna Paige, an artist who said she’d turned down her chance at TV stardom. “Everybody thinks they’re gonna have some power.” But wait, isn’t she profiting from tattooing’s mass appeal? “I would have made money anyway.”
Alex Halperin Guernica Mar 2012 15min Permalink
This interview with Kurt Vonnegut was originally a composite of four interviews done with the author over the past decade. The composite has gone through an extensive working over by the subject himself, who looks upon his own spoken words on the page with considerable misgivings . . . indeed, what follows can be considered an interview conducted with himself, by himself.
David Hayman, David Michaelis, George Plimpton, Kurt Vonnegut, Richard Rhodes The Paris Review Apr 1977 40min Permalink
When we form our thoughts into speech, some of it leaks through our hands. Gestures are thoughts, ideas, speech acts made tangible in the air. They can even, for a moment, outlive the speaker.
What hand motions can teach us about language, ethnicity and assimilation.
Arika Okrent Lapham's Quarterly Mar 2012 Permalink
How a hit Rihanna single gets made.
John Seabrook New Yorker Mar 2012 25min Permalink
A profile of 25-year-old Lena Dunham, showrunner and star of HBO’s Girls.
Emily Nussbaum New York Mar 2012 25min Permalink
“My name is Jackie and I am addicted to waitressing.” An essay on waiting tables.
Jackie Kruszewski This Recording Mar 2012 10min Permalink
The making of the “five-thousand-page, five-volume book, known formally as the Dictionary of American Regional English and colloquially just as DARE”:
What joking names do you have for an alarm clock? For a toothpick? For a container for kitchen scraps? Or an indoor toilet? Or women’s underwear? When a woman divides her hair into three strands and twists them together, you say she is_____her hair? What words do you have to describe people’s legs if they’re noticeably bent, or uneven, or not right? What do you call the mark on the skin where somebody has sucked it hard and brought blood to the surface?
Simon Winchester Lapham's Quarterly Mar 2012 15min Permalink
An oral history of The Sopranos.
Sam Kashner Vanity Fair Mar 2012 35min Permalink