“Why are we protecting these guys?”

A Japanese photographer examines the scene of the St. Valentine's Day massacre; a story from the author of The Black Hour.

"Was it the worst I’d seen? I turned to the camera, viewing the scene anew. Four men lay in a row, as though they had been tucked into a large bed. One slept at their feet, face down. The last hunched on his knees at a round-backed wooden chair. Blood ran toward the center of the room. Later that day when I returned to the newsroom, I would release the image from the machine in my hands, like a dragon from a cage. The city would see the blood, black, and no one would remember that someone—call him Togo or call him Fujita, the name will not be printed—had stood in the dust of men’s bones to face the dragon so that they did not have to."

When Kenneth Jarecke photographed the charred remains of an Iraqi soldier during the Gulf War, he thought it might help challenge the popular narrative of a clean, uncomplicated battle. He was wrong.