A couple deals with animal complications, unhappiness, and terminal illness.

Secular crises of two workers at a religious camp.

Unspoken issues grip a couple's dinner along the Mississippi River.

College friends come together during a power failure and the onset of an ill-fated relationship.

A story of science, weirdness, and alternate realities.

A woman in an unhappy marriage stumbles toward change.

"Without turning the radio on, Hannah drove back into town and into the driveway of her house. She sat there in the car for a long while and ran through the drive with Tex over and over. She wanted to go back and stop herself from touching his leg. She wanted to go back and stop herself from driving there in the first place. She wanted to go back and stop the day from ever starting."

A newfound faith wreaks havoc on a relationship.

A postapocalyptic world, motherhood, and centaurs.

"The girls were born the day before the world ended. You had eighteen hours of bliss and then the satellites went out, and with them the systems that sent news around the world. An asteroid, you heard people say. Huddled in your darkened hospital bed, your daughter’s mouths so pink and empty. Like birds. One asteroid and then another, and another, and then so many more that no one could keep track. They pounded into the oceans and the hills. The shaking made the earthquakes come, and from them, the volcanoes. The oceans rose. The clouds that came in the wake of the asteroids were thick and hard, studded with cosmic ash."

A woman buys a life-like, anamatronic man named Simon.

"She found the little velvet bag, dropped two tokens into his neck, and went to the computer while he booted up. She searched the website, but there weren’t any programs for what she wanted. Apparently, there were rules, the first of which stated that a robot may not injure a human being. Not even a little. Not a butter-knife nick or a cigarette burn or an intentional pull of the hair. She bought the phrase “I hate you” and a package described as brooding that looked close enough to anger. She stuck the USB drive under his arm and waited for the green light."

Vampire movies, sex tapes, aging, and complicated relationships: new fiction from the great Kelly Link.

"It’s not much fun, telling a ghost story while you’re naked. Telling the parts of the ghost story that you’re supposed to tell. Not telling other parts. While the woman you love stands there with the person you used to be."

Infidelity and committment issues with a humanoid robot.

"'You know I love you, and that I have no prejudices against cutting-edge technology,' He taps his temple, at the faint bulge of a high-priced implant. A vanity item, more than anything else, meant to expedite long-distance communication in an utterly cost-ineffective way. “But, I just— I need you as a person. Not as a machine.'"

A story of disintegrated relationships and the odd things left behind.

"Tabitha positioned the big horn sheep in the front yard and I drank a third mimosa. On Sundays, we got together and searched for any random thing to do, but always ended up back at her place. A neighbor, watering bushes, watched as Tabitha dragged the sheep around the yard, trying to find the right place."

A story of disintegrated relationships and the odd things left behind.

"Tabitha positioned the big horn sheep in the front yard and I drank a third mimosa. On Sundays, we got together and searched for any random thing to do, but always ended up back at her place. A neighbor, watering bushes, watched as Tabitha dragged the sheep around the yard, trying to find the right place."

An uneasy relationship between two people squatting in a crime scene house.

"But that guy was gone. In between the fourth and fifth beer at the bar, he disappeared in a haze of yellow and heat. Someone’s joke. A crack of broken glass. Tony and the guy out the door. Maybe in the back alley. And then it was all Tony Disco sidling up to me at the bar, his arm warm against mine, his breath like juniper. And now here he and I were, slumped on a dead woman’s couch."

In a series of diary entries, a woman explores her terrifying relationship with a vampiric count.

"The first thing I saw this way was me. I was in bed beside him, and began to drift into sleep. When my eyes closed I saw myself, dozing. My hair was silver and gold on the moonlit pillow and my mouth was smeared with his blood. I opened my eyes and he was leaning over me, studying me. I asked him what was the matter."

A 1950s summer romance, imagined by an agonized, metafictional narrator.

"At some point during the evening he walked Rebecca home. She lived on Lake Shore Drive, a wide road that skirted the beach and ran parallel to the small river that flowed into Lake Minnehaha. Lake Ramapo? Lake Tomahawk. Lake O-shi-wa-noh? Lake Sunburst. Leaning against her father’s powder-blue Buick convertible, lost, in the indigo night, the creamy stars, sound of crickets, they kissed. They fell in love."

A troubled wife's obsession with her husband's ex.

"I’d been researching generic articles on divorce for a long time, but never found anything that reminded me of Henry’s. They were young, but they weren’t as stupid as he seemed to say. They seemed to have really been in love. The picture he’d shown me was of them on a boat on a lake—a lake we’d been to, one we’d brought a picnic lunch to. They looked so happy and he looked so young, his hair not yet flecked with stray whites and grays."

A divorcee attempts to get back on his feet.

"Ira had been a married man for fifteen years, a father for eight (poor little Bekka, now rudely transported between houses in a speedy, ritualistic manner resembling a hostage drop-off), only to find himself punished for an idle little nothing, nothing, nothing flirtation with a colleague, punished with his wife’s full-blown affair and false business trips (credit-union conventions that never took place) and finally a petition for divorce mailed from a motel. Observing others go through them, he used to admire midlife crises, the courage and shamelessness and existential daring of them, but after he’d watched his own wife produce and star in a fabulous one of her own he found the sufferers of such crises not only self-indulgent but greedy and demented, and he wished them all weird unnatural deaths with various contraptions easily found in garages."

Romantic complications between a surgical coordinator and a brilliant transplant specialist.

"I hadn’t wanted Clara at first, at least no more than any other woman I’d casually slept with. Too bony, too neurotic. Too pale. But when she asked for a ride home from the dinner party where we met, I drove, intrigued at the prospect of UCSF’s top heart-transplant surgeon debasing herself with a med school dropout-turned-cellist."

Current personal problems are tied to racial issues from years past.

"Helen Conley knew this story: When Maxwell Conley was sixteen and in high school, with a bad attitude like many of us have, two young members of the Black Panther Party saved his life. It happened because a recent veteran of the war in Vietnam woke up one morning believing he was still in the jungle. Adrenaline began pumping through his body at impressive levels. He didn't have a gun, but he found an oak baseball bat in the alley behind his mother's apartment building. He laced up his combat boots. He stormed down the street until he came to the high school. He kicked open the doors of the school, and came through the hallway breathing hard, fists clenched around the bat. It was seventh period. The hallway was quiet. Around the corner came Maxwell Conley, cutting class as was his custom. He was not sober. He was wondering why Kay Svenson wouldn't pay attention to him in art class. He was admiring his long curly hair in the reflection of the fire extinguisher case mounted on the wall. His Converse sneakers flapped open and his unwashed sock came through. The Vietnam veteran, only a few years older than Maxwell Conley, met him in the hallway, and wasted no time."

A man, a woman, and a child negotiate their uneasy triangle in the days and weeks following 9/11.

"His briefcase sat beside the table like something yanked out of a landfill. He said there was a shirt coming down out of the sky."

A chance encounter with a movie star on an airplane.

"Roy Spivey shifted in his seat, waking. I quickly shut my own eyes, and then slowly opened them, as if I, too, had been sleeping. Oh, but he hadn’t quite opened his yet. I shut mine again and right away opened them, slowly, and he opened his, slowly, and our eyes met, and it seemed as if we had woken from a single sleep, from the dream of our entire lives. Me, a tall but otherwise undistinguished woman; he a distinguished spy, but not really, just an actor, but not really, just a man, maybe even just a boy."

An outtake from Backswing, Burch's latest story collection from Queen's Ferry Press.

"It started getting too big! I hadn’t planned ahead – didn’t stop and realize its size until it was too late. It was too big to fit through the garage door and the pieces were so interlocked and crosshatched, it took me a week just to break the thing down into manageable pieces to be able to move it. For a couple days, I was worried I might lose more of the work I’d done up to that point than I did."

Sex, potential violence, and human awkardness convene on an isolated shore.

"A slight breeze brings slight relief from the heat and a taste of the saltwater lapping against the hard sand. He’s been here many times. Though he has no desire to kill a bird, he loves this place, this lonely beach at the edge of this lonely lake too shallow for boats and too lifeless to attract fishermen. He loves the sand bugs and the sharp edges of the sand grass. Especially he loves the deep shade beneath the willow trees, and the sound of the cicadas’ music in the sun."

A young woman struggles in the wake of her mother's disappearance in this Hugo-nominated work.

"After Mom left, I waited for my dad to get home from work. He didn't say anything when I told him about the coat. He stood in the light of the clock on the stove and rubbed his fingers together softly, almost like he was snapping but with no sound. Then he sat down at the kitchen table and lit a cigarette. I'd never seen him smoke in the house before. Mom's gonna lose it, I thought, and then I realized that no, my mom wasn't going to lose anything. We were the losers."