The psychology, interactions, and sadness of a fringe NBA player.

The inner thoughts and worries of a Bingo player.

"Phyllis didn’t need to focus when she was daubing her numbers. Her mind could wander. She could think of all of the fortune she’d had in her life, all the loving family that surrounded her, even if their visits fell few and far between. As the next BINGO was called, she ripped off her top sheet and placed it into her trash bag. She remembered when she’d started coming to play, how she’d thought what a waste it was that each player had their own plastic trash bag, but it wasn’t long before she’d blinded herself to this detail, too."

Baby Girl and Perry, two small town partners in crime; from Hunter's forthcoming debut novel.

"The Estates was a ritzy-ass neighborhood with a gate at the front and open sidewalks on either side. Perry and Baby Girl had hit the neighborhood before, strolled right in. Those sidewalks were an in- vitation: Come on in, and steal some stuff while you’re at it. Perry had started to think if rich people weren’t afraid of their stuff being taken, they wouldn’t feel so rich."

An excerpt from Goebel's novel: a man's strange world of peyote, addiction, family, and conflicting identities.

"I dropped tobacco from a cig I took apart and kept the loose stuff in my palm, and I circled the tree counter clockwise, like the turn of the earth, and dropped the tobacco staring up in the tree and praying, like an old wide-faced (I)ndian showed me to do in rehab in the snow in Minnesota around a big oak tree, horses in the field of night, snowflakes falling like drunks, like a dream, stars holy above, and as I finished dropping the last speck, finishing a circle around the ponderosa, praying for the old man in the Upper East Side to have, there it was, standing up in a rich grass, by its quill, right out of the ground. Get it? EAGLE FEATHER. This is a wild trip."

Sex and communication in experimental fragments.

"We are in your white bed full of light drinking white wine and it is dark. I balance the base of the glass on the side of my naked hip and look at the marble spa tub in the bathroom. There is a flushed gleam bouncing off the mirror, fainting exhaling ebbing back into the room and I ghost the smoke a reprise a remorse of sighing and feeling nothing but beam."

The man behind Ripley's Believe It Or Not!, and his "Ghostly Appendage."

"If an Appendage may be allowed an opinion, here is mine: Given an era of less anxiety and more discretion, take away the Great Depression and two World Wars, and Ripley might have been your run of the mill suburban crackpot. A plastic bag sorter, hoarder of stoppers and snaps, jam jars, jawbreakers, broken ping pong paddles, push mowers, racially inspired lawn ornaments, waffle irons. He was simply a man at ease with bizarre objects, weird bibelots, fantastic freaks of nature who made him feel, by association, less odd."